Organisation > Bibliographic and artistic sources

BIBLIOGRAPHY

Auslander, Philip.“Musical Persona: the Physical Performance of Popular Music.”  In Derek B. Scott(ed.) The Ashgate Research Companion to Popular Musicology. Farnham, UK, and Burlington, US: Ashgate, 2009. 304-315.

Barthes, Roland. “The Grain of the Voice.” Image, Music, Text. Trans. and ed. Stephen Heath.London: Fontana Press, 1997. 179-189.

Blistène, Pauline. « Les séries télévisées, une expérience des « liens faibles » ? » In Alexandre Gefen, Sandra Laugier (ed.). Le pouvoir des liens faibles. CNRS: Paris, 2020. [online version]

Bloomfield, Terry. “Resisting Songs: Negative Dialectic in Pop.” Popular Music 12.1 (1993), 13-31.

Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press, 1996.

Gefen, Alexandre, and Sandra Laugier,  (ed.). Le pouvoir des liens faibles. CNRS: Paris, 2020. [online version]

Granovetter, Mark. “Strength of weak ties.” The American Journal of Sociology, Vol. 78, No. 6. (1973), 1360-1830.

Griffith, D.W. “The Rise and Fall of Free Speech In America Why Censor the Motion Picture — the Laboring Man's University?” Free pamphlet, 1916.

Grossberg, Lawrence. “Another Boring Day in Paradise and the Empowerment of Every Day Life.” Popular Music 4 (1984), 225–258.

Guesde, Catherine. "Attachement à la musique et à l’éducation de l’écoute. Le cas du Metal extrème". In Alexandre Gefen, Sandra Laugier (ed.). Le pouvoir des liens faibles. CNRS: Paris, 2020. [online version]

James, David E. Rock 'n' Film: Cinema's Dance with Popular Music. New York, Oxford: Oxford University Press. 2016

Kubernik, Harveythe b. Hollywood Shack Job: Rock Music in Film and on Your Screen. Albuquerque: University of New Mexico Press, 2006.

Moine, Raphaelle. Vies héroiques: biopics masculins, biopics féminins. Paris: Vrin, 2017. 

Nora, Pierre. “Between Memory and History: Les Lieux de Mémoire”, Representations, No. 26 (1989), 7-24.

Reynolds, Simon. Retromania. Pop Culture’s Addiction to its own Past. London: Faber and Faber, 2011. 

Smith, Sidonie, and Julia Watson. Reading Autobiography: a Guide for Interpreting Life Narratives. Minneapolis and London: University of Minnesota Press, 2010.

Schultz, Alfred. “Making Music Together.” Collected Papers, Volume 2. The Hague: Martinus Nijhoff, 1964.

FILMOGRAPHY

Blinded by the Light. Directed by Gurinder Chadha, UK/USA, 2019

Control, Directed by Anton Corbijn, UK, 2007

Bohemian Rhapsody. Directed by Brian Singer, UK/USA, 2018

I am not there. Directed by Todd Haynes, USA/ Germany, 2007

Jersey Boys. Directed by Clint Eastwood, USA, 2014

Last Days. Directed by Gus Van Sant, USA 2005

Leto. Directed by Kirill Serebrennikov, Russia/France, 2018

Love and Mercy. Directed by Bill Pohlad, USA, 2014

Nowhere Boy. Directed by Sam Taylor-Johnson, UK, 2009

Ray. Directed by Taylor Hackford, USA, 2004

Rocketman. Directed by Dexter Fletcher, UK/USA, 2019

Stardust. Directed by Gabriel Range, UK, 2020

Walk the Line. Directed by James Mangold, USA, 2005

Yesterday. Directed by Danny Boyle, UK, 2019